
The following page is Japanese Entertainment News in English.
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to SPY! NET | LATE DECEMBER `97
| JANUARY `98 | FEBRUARY `98 | MARCH `98 |
April `98 | May `98
June `98 | July `98
MARCH 1998
Congratulations to the new newlyweds
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On March 19, Producer/singer Hotei Tomoyasu (33) and singer, Imai Miki (36) were married. Hotei a member of the rock band, BOOWY, produced Imai's "PRIDE" album. Imai releases a new album this month.
A new gig, an old touch
from pop's King Midas
By STEVE McCLURE
Special to Asahi Evening News
The king of Japan's pop
music scene Tetsuya Komuro gambles his hit-making formula on a new record label
for Sony. What's in the cards for Tetsuya Komuro? That
was the question my editors put to me. Will 1998 see the Wunderkind of Japan's
pop world reach new career heights, including breakthroughs in Asia and America,
or is his star destined to fade in the fickle pop firmament? I
pondered this question, and decided the only thing to do was to seek out The
Man With All The Answers (well, most of them): freelance trend consultant Wayne
O. Cohen. If anyone could accurately predict what's in store for Komuro and
his Midas touch, it was Wayne. It was before noon when I knocked
tentatively on the frosted-glass door of his Kabukicho pied-a-terre-cum-office.
(Editor's note: Don't try to find it--the office and Mr. Cohen are products
of the writer's warped imagination.) I heard some shuffling about inside before
a somewhat disheveled-looking trendmeister opened the door. "Good
morning, afternoon and/or evening," Wayne mumbled. I apologized for the
intrusion and explained my assignment. "Tetsuya Komuro? Hey,
1998 could be the turning point in his career," Wayne said.
"The big news is that he's going to be working under his old mentor, Shigeo
Maruyama, who's the new boss at Sony Music Entertainment (Japan), on a new label
project at Sony. Everybody in Japanese showbiz has been talking about this,
and it'll be very interesting to see whether Komuro's hit-making formula, which
has been so successful at dance label Avex, will work at Sony, too."
"Just what exactly is that formula?" I asked. "Do
I have to explain everything to you?" Wayne whined. "OK, it's like
this. Komuro's success has been built on combining Eurobeat dance rhythms with
karaoke-friendly melodic phrases. "The formula may seem obvious
now, but at the time, it was a real stroke of genius. And it doesn't hurt to
have good-looking girls like Yuki of TRF or Keiko of globe doing the singing--even
if they're not exactly Aretha Franklin." "Some people
think Komuro has spread himself too thin..." I said. "True,
but as one of my close personal showbiz friends pointed out to me the other
day, every time you think Komuro's going to burn out, he comes back with something
new." "Why do you think he relocated to Los Angeles?"
I asked. "To cut down on his tax bill--he was the No. 4 individual
taxpayer in Japan last year, remember?--and to save money on studio time, which
is really expensive in Japan," Wayne said. "And I think it's part
of his attempt to break out of Japan and become a mover and shaker on the international
music scene." "How does he propose to do that?"
I asked as Wayne stretched out on the divan. "In late 1996,
Komuro set up a company called TK News with Rupert Murdoch's News Corp. to find
and develop new Asian singers," Wayne noted. "The idea was to first
conquer Asia, and then move on to the big enchilada: America. "But
so far we haven't really heard anything from TK News. Komuro's been busy producing
Japanese newcomers like female vocalist Toko, whose debut single `Bad Luck On
Love--Blues On Life' came out in January." "What's the
story on globe, the pop trio whose members include Komuro himself?"
"Well, it seems as if he's disbanding it. He is also no longer working
as TRF's producer so he can spend more time on projects like his new band, Museum--which
may be one of the acts on the new record label he's putting together for Sony,"
Wayne said. "I think we'll see Komuro work with Namie Amuro
next year, after she has her baby." "Wayne, why is it
that Komuro spends all his time producing
female singers?" "In case you hadn't noticed, they dominate
the Japanese pop charts, although these days they're more overtly sexy and less
asexually cute than they used to be," Wayne said. "I
understand why Komuro keeps churning out the same stuff, but I wonder how long
it'll be before he changes his musical direction. I'm not one to argue with
success, but I'd like to see him use his talents in a more interesting, more
creative way. I think he'll have to do that if he really wants to break into
the American market." "Wayne, thanks for sharing your time,"
I said. "If you've had half as much fun talking about this
stuff as I've had, then I've had twice as much fun as you."
The author is Japan bureau chief of Billboard magazine.
First,
Miyazawa Rie....then Kanno Miho and now Hazuki Riona to do a hair
nude photobook??????

Unlike the
Kanno which she announced...so far, this is just a rumor. Many people that work
around Hazuki Riona (an actress for many dramas) have been talking about the
actress to do a nude photobooks. One of the best known photographers,
Shinoyama Kishin is rumored to be the photographer. He usually takes the
photos of nude female actress (like Miyazawa Rie for her
Santa Fe nude book) and there is a rumor that there will be a nude photobook
for Fujitani Miwako (an actress and singer/ popular for the song a few years
ago "Aiga Umareta Hi").
Again, this is only a rumor but what is up with actresses doing these nude photobooks
or being nude in movies. It was not long ago that Kanno Miho shocked people
by posing nude in a photobook, Uchida Yuki saying she will be nude in her upcoming
movie and possibly now it maybe Hazuki Riona and Fujitani Miwako. I'm
sure some guys won't complain and are quite happy. Personally, I think it's
kinda sad they resort to this but I wonder what drives them to do this.
Lack of popularity of their career? (Well, in Kanno Miho's case...she
was doing pretty good at the time...so, I'm not sure why she did it).
Anyways, in the upcoming weeks, we will be sure to find out if this is a rumor
or fact.
MAX warns teens to shun knives

The Metropolitan Police
Department has turned to the pop group MAX to get its message against knives
across to teenagers.
Alarmed by the rapid increase in the number of crimes committed by teenagers
using knives, the MPD has printed 9,000 copies of a poster featuring MAX and
distributed them to middle and high schools and subway stations in Tokyo.
In the poster, the four members of MAX appeal to young people with the message,
"Please do not ruin your lives with knives."
The MPD has also produced 850,000 business card-sized copies of the design,
which will be provided to all middle and high school students in Tokyo. A similar
message is contained in MPD flyers and posters featuring Nobuo Yana, a member
of the actors group Akuyaku Shokai (Bad Guy Character Co.). In contrast with
MAX's gentle approach, Yana delivers a no-nonsense warning in a poster saying,
"Don't carry knives!"
Performer Mariko Koda listens
to inner voice
Satoshi Tanaka Yomiuri Shimbun Staff Writer
From Yomiuri Shinbun 3/19/98
Mariko Koda displayed a
postcard she had just received. "Take a look at this," the voice actor
said with a smile. It was after 9 p.m. on Monday in a conference room at Nippon
Cultural Broadcasting Inc. in Yotsuya, Tokyo. Koda was busy talking about a
director and a scriptwriter three hours before she would go on the air with
her "Come On! Funky Lips" program. Attached to the postcard from a
listener was a clip from a sports daily, headlined, "Popular persona performs
her first TV drama." The sender underlined a portion of the article that
read, "Mariko Koda, age unknown." "I am often referred to in
this way," she said, saying a television program referred to her as "an
ageless woman." Many people in her position are reluctant to disclose their
age for fear of
disappointing children, who tend to believe that anyone doing the voice of a
cute animation character must be a child. Koda said, however, that she does
not care if listeners know she is 28 years old. "I talk a lot and receive
many inquiries. If listeners are kept in the dark about my age, they may find
it difficult to write to me," she said. "One merit of radio is that
the announcer and listeners can feel very close to each other. Therefore, the
more they know about me, the better." The popularity of voice actors has
grown thanks to the success of animated television series and films of "New
Century Evangelion." Koda is now counted among top voice actors, such as
Megumi Hayashibara and Emi Ogata. In recent years, Koda has provided the voice
of a character in TV Asahi's
animated series "GS (Ghost Sweeper) Mikami." She has also made several
appearances in the Japanese music scene as a singer and made a name for herself
as a radio personality. Recently, Koda played a role in the film "Looking
For." Starting from April, she will appear on-screen in the series, "Setsunai"
(Feeling Lonely), on the TV Asahi network. "I am a kind of born actress,"
the versatile Koda said. "But I have wanted to sing since I was a child.
"I am someone who wants to express her thoughts. I do voice work and sing
as a way of expressing myself." However, she said some people do not see
that unifying determination in her
work. When she began singing professionally, she was accused of dabbling by
having a multifaceted career. "'I envy voice actors like you,' someone
said at a local entertainment event. 'You can sing, dance and act when you like.
You have many side jobs,
all half-hearted,'" she recalled. However, Koda added that critics usually
change their views if they work
with her. "(They then notice that) I have put equal effort into voice acting,
singing and radio work. I guess many voice actors feel the same way," she
said. Despite her wide-ranging success, Koda said she still had one unfulfilled
ambition: to share a stage with legendary blues guitarist B. B. King. "I
never saw anyone singing on a stage so happily," she said, recalling King's
performance at the closing ceremony of the 1996 Atlanta Olympics. "I believed
instantly that he was the right person to change me," she said.
She had the opportunity to meet him recently when he visited Japan on a tour.
"He told me that I might stand with him onstage on the next album,"
she said. Koda recounted the bittersweet day at the age of 19 when she made
up her mind to enter show business after failing college entrance exams. "I
lost my life's goal," she said. "I thought, 'What am I?' And I started
looking for the career I was born to," she said. Ten years later, she has
found her place and her identity.
Spring
brings drama smorgasbord
Yomiuri Shimbun
In the lead-up to spring
dramas, commercial stations plan to air special one-shot programs from the middle
of this month through the beginning of April. There are more than 100 special
programs on the interim schedule, such as special episodes of quiz and comedy
shows and real-life police investigation programs. Most noteworthy are dramas
with major stars and stories by well-known
suspense writers. Television star Takuya Kimura of SMAP will appear on TBS as
Oda Nobunaga (1534-1582) at 9 p.m. on March 25. Oda, the first of Japan's great
unifiers, conquered most of Japan in the Sengoku Jidai civil war period (1467-1568).
Kimura will portray the young Oda, a free-spirited but sensitive young warrior.
Kimura will portray Oda in several legendary exploits, including battles with
bandits and practicing with a rifle on his wedding day. Ayumi Ishida will play
Oda's mother, Tsuchida Gozen, and Toshiyuki Nishida will take the role of Nobunaga's
father-in-law and one of the main figures of the age, Saito Dosan. Producer
Jiro Shono said he wanted to illustrate the many anxieties of young people by
portraying the development of Oda's character through a modern directing style.
Kimura has another show coming up, a special version of "Love Generation,"
Fuji TV's autumn hit. The whole love story played by Kimura and Takako Matsu
will be condensed to two-and-a-half hours and aired at 9 p.m. on April 6. Mysteries
and suspense Also due to hit the airwaves are dramatizations of favorite stories
by famous suspense writers. NTV network stations will air Seicho Matsumoto's
"Atsui Kinu" (Hot Silk) at 9:03 p.m. on March 24, commemorating the
sixth anniversary of his death. Kyoka Suzuki and Hiroaki Murakami try to find
a former Japanese soldier who disappeared in the Malaysian jungle. TBS will
present another installment from the Kosuke Kindaichi series of stories by Seishi
Yokomizo. Ikko Furuya plays the astute private detective Kindaichi in the most
recent episode of "Akuma no Kamen" (Mask of Evil), at 9 p.m. on March
30. Kindaichi investigates a murder in an old and respectable family from Okayama
Prefecture. The show also features Kyoko Mano and Kei Tani. TV Asahi will dramatize
Seiichi Morimura's "Shuchakueki" (The Last Station) series in an episode
titled "Mado" (Window) at 9 p.m. on March 28. Tsurutaro Kataoka plays
a detective investigating murders that occurred
simultaneously in Tokyo's Shinjuku and Meguro wards. School stories without
knives Dramas depicting heartwarming human relationships are an important consideration
during a real-life series of brutal knife crimes by juveniles. TV Asahi's "Shonen
15-Sai" (Boys at 15) looks at relations between a couple who supervise
a dormitory in a reform institution and boys who live there.
The show will air at 9 p.m. on April 7. The story is taken from Hideyoshi Kobayashi's
book, "Ai to Kanashimi no Shonentachi" (Boys With Love and Sadness),
and is based on his actual experiences. The story is a stark look at young boys,
from dysfunctional families, who committed crimes and learn to adjust through
contact with the couple. The show features Tomokazu Miura and Kayoko Kishimoto.
Perennial favorite "3-Nen B-Gumi Kinpachi Sensei (Kinpachi: Teacher of
Third-Year Class B)" is back. A one-shot episode of the popular TBS school
drama that first aired in 1978 will run at 9 p.m. on April 2. Tetsuya Takeda
will return in the title role of Kinpachi Sensei. In addition to students seen
in the 1995 version of the show, alumni
Masahiko Kondo, Yoshio Nomura, Junko Miura and Kaoru Sugita will appear. The
story will feature such recent social problems as students mugging salarymen
and the homeless, and threatening suicide. Fuji TV will rerun So Kuramoto's
popular series "Kita no Kunikara" (From the Northern Country). Prior
to broadcasting its latest show, "Kita no Kunikara '98 Jidai," this
summer, the television station will show "'87 Hatsukoi" (First Love),
"'89 Kikyo" (Coming Home), and the two-part "'92 Sudachi"
(Leaving the Nest) at 9 p.m. on March 13, 20, 27 and 28, respectively. Through
the rerun, the history of Goro, Jun and Hotaru--portrayed by Kunie Tanaka, Hidetaka
Yoshioka and Tomoko Nakajima--can be reviewed. Left after death Other than dramas,
TV Asahi will feature the late actor Kiyoshi Atsumi, well-known as "Tora-san",
at 7 p.m. on March 19. Atsumi's popularity established through the famous movie
series, "Otoko wa Tsuraiyo" (It's Hard to Be a Man), has not declined
since his death. TV Tokyo will show festivals from around the world in which
participants risk their lives in dangerous activities, such as the Danjiri Festival
of Kishiwada, Osaka Prefecture, and a British festival in which people carry
burning casks. The show will air at 9 p.m. on April 4.
NTV will celebrate the 20th anniversary of its popular morning show in a special
program aired at 7 p.m. on March 21.

Actress Matsuyuki Yasuko (25) (Shiratori Reiko de Gozaimasu, Mei Tantei Obasan) who was dating Hosaka Naoki and Kawamura Ryuichi married off and on again boyfriend, GAKU (32) a guitarist for the band "THE THRILL" on March 26, 1998 (Thursday). The two have been known for their arguments in which they broke up once in which she then dated Kawamura Ryuichi. Obviously, things between Yasuko and Gaku worked out well. The two met during the making of her first album. Gaku proposed to Matsuyuki in January. Matsuyuki will be in a new drama called "Ai Tokidoki Uso" (Sometimes Lie about love) in which she sings the main theme, "Ai no Sekai" (Love world) which was produced by Gaku.
Music
industry strikes sour note (Daily Yomiuri: 3/31/98)
By Hiroshi Nishida
Yomiuri Shimbun Staff Writer
Hard times don't seem to be affecting the music industry--at least not yet.
The industry continued to thrive even after the economic bubble burst, and many
began to think it was immune. Today, the music industry is still a frequent
source of interesting news, eye-catching videos and exciting new sounds. On
the surface, everything seems to be going well. Take for example,
sales of "Review," the album released last October by popular rockers
Glay. According to figures compiled by an industry marketing company, sales
hit a record 4.15 million in mid-February, surpassing the 4.14 million chalked
up by Globe's 1996 debut album.
It is only recently that sales of an album topped 2 million in Japan. The record
was "Tree," released by Chage & Aska in 1991. It is a good indicator
of how rapidly the market has expanded over the past couple of years. A number
of big-name Western musicians came to Japan in March, including U2, Aerosmith,
The Rolling Stones and Elton John with Billy Joel. They gave a total of nine
concerts in the Tokyo Dome, attracting 350,000 spectators. The overall situation,
however, is not so great. According to a survey by the Japan Phonograph Record
Association, 1997 sales of recorded music (compact discs, analog discs and cassettes)
posted a 1 percent year-on-year decline, totaling 575.6 billion yen. It was
the first time in 13 years that sales had dropped. Nevertheless, big
hits are coming out on a steady basis. In 1997, 27 albums enjoyed sales of more
than 1 million, compared to 17 the previous year. While Glay, Namie Amuro, Mr.
Children and several others are doing extremely well, second-tier musicians
are struggling. The gap between popular and unpopular musicians is widening,
creating a chasm in the industry. Big stars who used to enjoy massive
sales are also fighting uphill battles. Yumi Matsutoya and Dreams Come True,
for example, released new albums late last year. But the marketing company's
statistics show that neither sold 1 million. Compared with the remarkably brisk
sales of their previous albums, the latest figures come as a shock. My Little
Lover, a group whose debut single was a big hit with sales of 2.8 million, released
the album "Presents" in early March. But the album is not flying off
the shelves, with sales of only slightly more than 500,000.
The setback is especially conspicuous in the Western-music sector. In 1997,
total sales in that category fell by 10 percent. With the exception of Mariah
Carey's latest album and Elton John's single "Candle in the Wind,"
dedicated to the late Princess Diana, there has been an absence of major hits,
and that has been a factor behind shrinking sales. There is something
else at work--the changing tastes of teenagers. Although major buyers
of recorded music before, they have begun spending money on other things, such
as portable phones and computer games. In addition, they are tired of
the music tie-ups with television commercials and dramas, something they used
to enjoy. Recording companies seem to be in a rut, concentrating on one
type of music and advertising in a uniform way. Now they must pay the consequences.
Ironically, an album released in February by Boowy, a Japanese rock group that
disbanded 10 years ago, is selling extremely well, with sales topping 1 million
in a matter of a month or so. This signifies that Japanese music fans are dissatisfied
with the current music scene. Unless musicians and music companies reconsider
the situation, the industry could find its bubble collapsing.