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Protoculture.
The Vancouver-based duo featuring the talents of Ed Quan and Jeff
Jang have been capturing the attention of music fans with their
alternative rock sound featuring crunchy guitars, driving backbeats,
ambient samples, and jazz stylings coupled with thought invoking
lyrics.
With
many Asian American talent being bombarded by male and female
dance groups, it is refreshing to see a rock band featuring two
Asian Americans with musical and lyrical talent.
The
two musicians met each other at the University of British Columbia.
Ed Quan who was studying film and psychology and a drummer at
heart (responsible for the drums, percussion and BG for Protoculture)
met the classical guitar student, Jeff Jang (lead vocalist, guitarist,
bassist and sequencing) when the two were part of the music group,
"South of Main".
A
few years later the two formed their own band, Protoculture and
have since released two EP's which were produced by Larry Anschell
(producer for nickelback, Bif Naked and Sarah McLachlan).
I recently had the opportunity to interview Jeff
Jang and Ed Quan of Protoculture.
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DENNIS:
Let's start with a few basic questions before we get into
the music. Where were you guys born and raised?
JEFF: Richmond,
British Columbia, Canada
ED: Vancouver,
British Columbia, Canada in the South Van region. Home of
the first McDonald's in BC...I think.
DENNIS:
Were the both of you brought up in a strict Asian upbringing?
ED: Yes
and no. My folks were westerners to a certain degree but
I definitely learned my manners the hard Chinese way.
JEFF:
I
was brought up in a very "western" household. English was
the only language spoken.
DENNIS:
When you were a child, what did you want to grow up to be?
JEFF:
I've
always wanted to be a musician. Not a rock star, but a musician.
Even as a youngster, I could recognize the difference. To
me, rock stars were prefab flavour-of -the-months, while
musicians were people you admired and respected, not only
for their music but also for the decisions they made regarding
their careers.
ED:
A
fireman. Somehow, I think that worked out for the best.
DENNIS:
Were your parents supportive of you choosing a life of music?
ED: Let's
just say they allowed me to have a drumset and have the
band practice in the basement. I still think they wish I'd
become some sort of professional though.
JEFF:
Very much so. My
parents have always been supportive of anything I have ever
done.
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Ed
Quan's Studio Setup
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Instruments/gadgets:
-
6 piece White Sonor Force 3000 kit
- 20" kick
- 10", 12" 14", 16" toms 14" snare
- Sonor Hardware, except DW Turbo Foot Pedal and Tama
Iron Cobra Hi-hat stand
- Sabian Cymbals AAX, AA, HH
- Vater Pro-Rock Sticks
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Jeff
Jang's Studio Setup
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-
1984 Fender Strat, 1978 Fender Tele, 80, Gibson Les
Paul Custom and ES-335, Larrivae Acoustic (I only own
the Fender stuff. The producer owns the rest.)
- 90's Marshall JCM 900 50 watt head with 4x12 slant
cab, Fender Twin Reverb, Hiwatt 100 watt head, 1962
Gibson blonde combo-15 watts
- I can't remember all the names, but I'll try my best.
All pedals are Boss. Overdrive SuperDistortion/Feedbacker,
Chorus, Digital Delay DD3, Tremolo, and a Crybaby Wah.
- The big studio (Turtle Recording) has a Neve console,
2" tape machine, 24 tracks analog and 24 tracks ProTools,
and a bunch of other toys. My home setup consists of
a Roland VS-880, a Mackie 1202, a PC running Cakewalk
9.0, SoundForge 4.0, and various other programs, and
the KRK V6 monitors.
- For live shows we use the 1202 with a portable cd
player. |
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DENNIS:
In high school, what kind of student were you? The jock, the student,
stoner, etc.?
JEFF:
I'm
not really sure what kind of student I was. That was quite some
time ago. I was probably your average student, nothing special.
Average grades, average popularity, you know, your average, middle-of-the-road,
non-offensive teenager.
ED:
The
outsider that didn't have a clique, but mixed in a bunch of them.
DENNIS:
You both live in Canada. I'm curious…what does Canada have that
the US doesn't?
ED: BC
Bud and government health care, but don't let me speak to soon,
because every moment we are losing it.
JEFF:
That's a very interesting
question Dennis. We are definitely neighbors, so we do share many
attitudes, such as the belief in capitalism and our obsession
with consumerism, but I think there are differences that make
our countries unique. Other than the obvious. For example national
healthcare, colorful money and how we end our sentences with "eh"
as opposed to "huh", I feel there is a greater sense of empathy
in Canadians. Now please don't get offended. I have American relatives
and friends who are wonderful souls. Plus, one only had to turn
on CNN after 9/11 to see the amazing spirit of the American people.
What I'm referring to is the attitudes towards people who are
"different", be it race, sex, tax bracket, occupation, etc. Don't
get me wrong. There's plenty of discrimination going on here in
the "Great White North", but generally, and I use that word cautiously,
it is less extreme. Living next to a Superpower, not to mention
the entertainment capital of the world, has created an inferiority
complex in us. We tend to apologize more, treat people extra nice,
and shit on ourselves all at the same time. It's kind of like
having a famous older sibling. You're jealous, bitter, and in
awe at the same time. So I don't believe Canadians are better
than Americans, just different.

DENNIS:
Are there any Canadian artists or musicians that you enjoy listening
to?
JEFF:
There's
The Tragically Hip and Big Sugar, both out of Toronto. I was a
big Rush fan when I was younger. There are some jazz artists that
are doing some cool stuff. That's about it. Because the Canadian
music industry is so small (roughly 2% of worldwide music sales),
it tends to be pretty generic. Find something that worked in the
states, and then create a "Canadian" version of it. I'm not going
to name names because I don't want to get into that useless mudslinging
stuff but just listen to the radio sometime. You know what I mean.
ED:
Absolutely!
The Tragically Hip, Blue Rodeo and I Mother Earth.
DENNIS:
If there was any musician or artist that you guys would love to
work with (living or deceased), who would that be and why?
ED: That's
a toughy. Radiohead, The Beta Band or Stone Temple Pilots. I love
the open playground of experimentation in Radiohead and The Beta
Band but I also love the modern and classic songs and sounds of
STP.
JEFF:
Can I only pick one? How
about John Lennon, Miles Davis, Pat Metheny, Julian Bream, Melissa
Etheridge, Radiohead, XTC, Sting, U2, David Bowie, etc.? My list
would go on for days, but really, it would simply include anyone
famous or not famous that has ever inspired me with his or her
music.
DENNIS:
Let's talk about the music history of both of you. How did each
of you get involved in music?
JEFF:
I
started taking classical guitar lessons when I was seven.
ED:
I remember
being in elementary school and hearing the highschool band play
in the gymnasium. When I heard those drums I was addicted. I didn't
start until I was fourteen.
DENNIS:
How long ago did you decide that you wanted to make music a career
rather than just a hobby?
ED: On
a serious level, about five years ago.
JEFF:
Like I mentioned earlier,
I've always wanted to be a musician. But as far as a conscious
decision goes, probably when I hit 19. I quit my job and went
to music school.
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