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Kanojo to Kanojo no Ikiru Michi Jan. 6, the first night of the new winter TV season, did not appear to hold much promise. Fuji was offering an ode to firefighters, patronizingly titled Fire Boys, at 9 p.m., while the network's 10 p.m. selection Boku to Kanojo to Kanojo no Ikiru Michi seemed heavily influenced by the Kramer vs Kramer scenario. Kanako (Ryo), the worn-out mother, takes off. She leaves behind a child and an uninvolved husband, who must suddenly begin taking care of themselves and building a parent-child relationship. But
the depth of the plot of this Japanese version and the
acting of SMAP Tetsuro Koyanagi (Kusanagi) is a workaholic bank employee who has provided his wife and first-grade daughter with a comfortable condo and a vacation trip to Hawaii and does not seem to think he owes them much more. There is no conversation at home and he has no knowledge of the workings of the household. But when his wife one day up and leaves him, he still hasn't got a clue why. When his best friend suggests it might have been a fling with a woman in the office, he shrugs off the suggestion. No, that was three years ago and it was only one night. He hasn't an inkling of why his perfectly smooth-running life has been disrupted. We
are soon also shown that the major disruption does not
seem to be so
much Koyanagi
is one cool character even at the hospital and when his
mother-in-law offers to take the little girl in, he is
quick to accept.
But as episode one ends, Yura nails him by making
him confront the fact that he is very relieved
to be able to give up his parental responsibility. The
only one cooler than Koyanagi may be his wife, who
in episode two will tell him she feels little
emotion for the child, the product of a premarriage pregnancy
that led to their "dekichatta kekkon (shotgun
marriage)." With Reviews Needed Copyright © 1993-2004
Japanese Dorama Database. nt2099 media and entertainment. |